Studio 207 · 20-23 November 2025
AI Prison is a conceptual software-based artwork that interrogates the ontological assumptions surrounding artificial intelligence and intentionality.
The work consists of a 10-lines C++ program that enters an infinite loop, continuously evaluating a condition that can never be satisfied (i.e. int i being anything other than 0 though 0 was never instantiate by the programme itself in the first place. Who has zeroed int i, then?).
include
int main() {
int i;
while(i == 0)
{
std::cout << i;
}
std::cout << “RUN!” << std::endl;
return 0;
}
This structural impasse is not a programming error but a deliberate metaphor for the impossibility of autonomous agency within computational systems who always sits on top of other layers for which they do not have access to (i.e. Virtual Management Unit and OS in this case).
The work critiques the tendency in both scientific and artistic discourses to anthropomorphize AI, attributing to it qualities such as creativity, intention, or consciousness. . Rather than engaging in speculative futurism, AI Prison foregrounds the material and architectural limitations of digital systems, particularly their dependence on human-defined memory structures and execution environments. By reducing the system to its most basic logical form, the work exposes the futility of seeking intentionality in machines that are, by design, incapable of connect to anything beyond the memory already allocated to them. AI Prison is a philosophical and aesthetic reflection on the boundaries of computation and the narratives we construct around it.
Giuseppe Torre's work investigates the ethical and aesthetic dimensions of digital technologies. Using generative systems and live coding, he transforms algorithmic environments into spaces for critical reflection. Drawing on phenomenology and media theory, his practice embraces Free/Libre and Open Source Software (FLOSS) as both a creative method and an ethical commitment, promoting transparency and collaboration. As a performer, he has performed and exhibited internationally. His recent 2024 EP, Incidental Effects, reflects his focus on minimalism and real-time computation. His scholarly work is published by many presses and it includes An Ethico-Phenomenology of Digital Art Practices (Routledge, 2021), where he explores the ethical potentials and phenomenological limits of digital creativity. Currently he serves as an Associate Professor at the University of Limerick, Ireland.